"Congratulations to Thomas Martin, Martin Lawrence and George Martin on producing a comprehensive work on the English double bass. Here, this revered school has received the definitive treatment. The comfortable format, excellent images and concise notes make this volume a welcome addition to any luthier or musicians’ library."
"A magnificent book destined to remain a milestone in the history of the double bass. The research that animated it has been scrupulous: the book is comparable to the major compendia of violinmaking that until now were generally excluding the double bass. The gap with the other bowed instruments has been finally filled."
"Congratulations on this great work that will help all those luthiers, collectors, musicians and amateurs who want to deepen the history of violin making."
"Apart from my dendrochronological examinations, I know very little about double basses, however the book on The English Double Bass produced by George and Tom Martin is a fine piece of work which will certainly allow me to get to know more. I would recommend it to anyone wanting to explore a field of instrument making that is often underestimated."
"Here is the first book ever published about the double bass with this extraordinary quality of material, photos and content. The most charming features of this work is probably the numerous wonderful and high-definition photos of the instruments, but the detailed research on the lives and works of the master double bass makers has a great value and enrich the reading too. From my point of view, a must for all violin makers and in particular, for those specialized in the double bass. A big-sized book for a big-sized instrument!"
"I waited with much anticipation for the publication of The English Double Bass. It has been extensively researched with many examples from the great makers. The images are terrific and it`s fantastic to have so much background on the folks that made these wonderful instruments during the golden period in British bass making. A great workshop aid for makers and a terrific reference for enthusiasts."
"There is little the authors of the English Double Bass don’t know about the provenance of the instruments in this ‘bible’ of fine English basses. I had heard many bass players talk of great makers and to see the superb photographs of the examples that Tom, George and Martin have collated is wonderful. I had no idea my bass would make the cut and to learn its full history has been a real surprise and pleasure."
"The book, binding, paper and print as well as the content of the writing, which by the way flows very gently for a reader with English as a second language, leads one to take it in at the rate of drinking that good wine kept for a special moment. One glass and the mind is smiling and content. Looking at the wood it is looking back with hundreds of stories to tell, concerts, travels and events in music. The makers come to life also. One worked in a brewery, one made boots, a hairdresser, one Jack came to ill fortune being a charmeur but recovered later as a famous elephant dompteur! It's not boring and gives many clues to life circumstances in the period. The English Double Bass is simply most interesting to read and the pictures are a delight. Quality as expected. It is truly difficult to imagine not subscribing to future books from Arpeggio Publishing."
"Thomas, Martin and George have produced an unrivalled work on the English Double Bass, from the excellent historical research to the beautiful images within it's quality leather binding this is an essential document for musicians, luthiers and collectors. It is fantastic to finally have a book that honours these instruments and makers as they should be. Outstanding work. I shall be looking through these pages for many, many years to come."
"It is absolutely fantastic – a wonderful work of love and devotion to these great instruments. I cannot imagine how it could possibly be better. This I say without having done much more than leaf through it yet, looking of course especially at the pictures of my own bass, but also marvelling at the overall quality of the photos and indeed of the production as a whole. I will be spending many happy hours just enjoying the photos and trying to imagine what it must be like to play each of those other basses, and in the process will learn so much more than a mere player could ever hope to pick up alone."
"Having owned several fine English basses (including one in the book) and seen many others, I was thrilled to hear of the book's publication being in the works. After receiving my copy of the book I was ecstatic while reading thru the pages of the makers, pictures and their histories. Having extensively studied as much as possible on line and in other books, I still learned quite a bit of new information I had not known beforehand. Besides the amazing pictures in the book, the quality of the book itself dwarfs all other violin family books within my fairly extensive collection."
"The English Double Bass is a truly significant asset to the double bass literature. It provides what hasn’t existed before; a highly detailed and accurate photographic comparison of so many top-quality instruments. This is, of course, enormously valuable to any devotee of the double bass but, for me as a first-time amateur maker, it goes way beyond this. I am able to flick through pages and compare and contrast so many different styles of Soundhole, scroll, arching, outline and more, all side by side and in sharp detail. This book will help to make us all that little bit more expert in the realisation and appreciation of the great variation in double bass construction that makes the instrument so endlessly fascinating."
"The English Double Bass is the definitive reference tool for double bass players and enthusiasts. The outstanding photography captures with great accuracy and clarity the history and development of English basses from Italian influences from the 1700’s until the present day. All major makers are included, with several examples of each presented from early to late period; it is so interesting to see how styles and details develop. The text is well crafted, interesting and thankfully not overly full of technical jargon. This weighty and high-quality tome is of great credit to the authors; highlighting unparalleled knowledge, using a far reaching network to source the basses and incredible tenacity and commitment to bring it to fruition. With the technical advancements in dendrochronoly the age of the wood used can be accurately calculated. Now The English Double Bass brings clarity and knowledge to the previously inaccurate business of attribution. It is the benchmark by which all Double bass literature will be judged. For years all we had was Raymond Elgar’s books, but The English Double Bass gives us a complete picture, there will be nothing like it again!"
"The English Double Bass is a monumental work which fills a yawning void in double bass literature. The introduction provides the background to the bass in England culminating in a timeline of makers from Peter Wamsley (d.1744) to Francis Calow (d.1952). The depth of biographical detail presented on each maker naturally varies, being dependent on the survival of the historical record. The book is completed by brief details of contemporary makers. The crowning glory of this book is the marvellous selection of bass photographs printed on leaves of high quality, my only slight disappointment being the lack of dimensions. This book is truly a remarkable piece of work."
"The English Double Bass is above all a feast for the eye, containing superb colour plates of a meticulously curated selection of the very best instruments by forty makers, many with several instruments showing the breadth of style achieved over an individual maker's career, and including several large foldout plates. But more than that, this massive tome provides a biography of each maker and notes on the construction, relevant modifications and varnish of each instrument that is depicted. Several apocryphal myths are dispelled, e.g. that William Baker the bass maker was Baker the tuning machine head manufacturer. There is a whole section devoted to tuning machines alone. The introduction concisely places the English double bass in historical perspective and charts its early development by viol makers through to its decline in the later nineteenth century. This is a book that is essential reading for anyone interested in the double bass and will be the definitive reference work on the subject."
"As students of the double bass, many of us have spent a ton of time and effort learning double bass technique, musicianship, and ensemble. However, rarely do we have an opportunity to delve into a pictorial double bass history in such depth as in The English Double Bass book. A lot of the music we learn and play now was influenced by the beautiful sounds these basses produced. Understating and learning bass history is very important, this book just made the educational process much more available. Gathering and presenting this information must have been an enormous task. The final results are excellent. When you look through the pages of this book you will gain a further appreciation for just how masterful these bass builders were. Via The English Double Bass book, you will garner a unique glimpse into the expertise of what’ I’d call the golden age of English bass making. We should also pass on a BIG THANKS to the current and previous owners (i.e. stewards of double bass history) in taking such care to preserve double basses of this legendary vintage in such playable condition. Thomas, George, Martin and the English Double Bass Book team; BRAVO on publishing this work."
"I was amazed and delighted at the appearance, layout and content of this wonderful book! My hat's off (or in this case, my mute's off) to Arpeggio Publishing and the authors Thomas Martin, Martin Lawrence and George Martin. I have so enjoyed all those magnificent luthiers whose work is lovingly displayed and admired herein. Bravo all!"
"This wonderful book is full of information of which I was relatively unaware, combined with beautiful images of my favourite instrument and of such a high quality, it is a joy to read. Thank you for your hard work and commitment to create this project."
"Having received my copy of the double bass book and can only say that I am thrilled and delighted with it. It was certainly worth the wait! Everything about the book is just perfect, the lay out, the pictures and the quality of production, even down to the packing for transmission. It arrived in perfect condition and I give credit to all of you for the thought which has obviously been put into the creation of such a work. For me it will become a family heirloom, as my son also plays the double bass so it will live in my family for many years to come. Many thanks, and congratulations."
"Thank you for making the considerable effort that I know a publication like this requires. The book delivers what has been wanted for many years – a reference point relating to the English double bass and makers. As players we often forget or take for granted the development of our instrument over the years. This book, with its absolute wealth of information about individual makers and their methods of working, is particularly informative and its excellent photography allows us to reflect on that development, both historically and culturally, which can only help us to understand the music that we make, and our approach to performance. I know that this book will quickly become a ‘must have’ reference point for makers, players, dealers and enthusiasts alike."
"“The English Double Bass “ must be the definitive guide to it’s subject. It’s such a pleasure to read it and see the magnificent photos!"